青島希尼爾翻譯公司（m.shreekrishnajewellers.com）整理發(fā)布2015-12-10

希尼爾翻譯公司（m.shreekrishnajewellers.com）2015年12月10日了解到：一位法國科學(xué)家稱，通過光反射技術(shù)，在現(xiàn)存的蒙娜麗莎肖像下發(fā)現(xiàn)了另一肖像?！n image of a portrait underneath the Mona Lisa has been found beneath the existing painting using reflective light technology, according to a French scientist.
　　
　　Pascal Cotte said he has spent more than 10 years using the technology to analyse the painting. He claims the earlier portrait lies hidden underneath the surface of Leonardo’s most celebrated artwork. A reconstruction shows another image of a sitter looking off to the side. The Louvre Museum has declined to comment on his claims because it "was not part of the scientific team".
　　帕斯卡科特說，他十年以來，一直通過科技分析蒙娜麗莎畫像。他稱，早期的肖像圖在隱藏在萊昂納多最著名的藝術(shù)畫作表面之下。重建后，顯示了一個(gè)眼睛看向一邊的另一個(gè)畫像模特。羅浮宮對(duì)此言論未發(fā)表過多評(píng)論，因?yàn)樗安皇强蒲嘘?duì)伍的一員”
　　Instead of the famous, direct gaze of the painting which hangs in the Louvre Museum in Paris, the image of the sitter also shows no trace of her enigmatic smile, which has intrigued art lovers for more than 500 years. But Mr Cotte’s claims are controversial and have divided opinion among Leonardo experts.
　　蒙娜麗莎珍藏于盧浮宮。五百多年來，畫作中模特神秘的微笑，取代了她時(shí)時(shí)注視觀賞者的出名的眼神，吸引了許多藝術(shù)愛好者。但是科特先生的言論引起了爭(zhēng)議，研究達(dá)芬奇的專家中，對(duì)此言論形成了不同的意見。
　　The scientist, who is the co-founder of Lumiere Technology in Paris, was given access to the painting in 2004 by the Louvre. He has pioneered a technique called Layer Amplification Method (LAM), which he used to analyse the Mona Lisa. It works by "projecting a series of intense lights" on to the painting, Mr Cotte said. A camera then takes measurements of the lights’ reflections and from those measurements, Mr Cotte said he is able to reconstruct what has happened between the layers of the paint.
　　這位科學(xué)家是巴黎流明 技術(shù)的共創(chuàng)人，在2004年通過盧浮宮同意，有機(jī)會(huì)研究蒙娜麗莎。他是使用圖層放大法研究蒙娜麗莎的先驅(qū)?？铺叵壬f，這項(xiàng)技術(shù)通過“發(fā)射一系列強(qiáng)光”在 畫作上來完成工作。然后，相機(jī)測(cè)量光的反射，通過這些測(cè)量，科特先生稱得以在各個(gè)圖層間完成了重建。
　　The Mona Lisa has been the subject of several scientific examinations over more than half a century. More recent techniques include infrared inspections and multi-spectral scanning. But Mr Cotte has claimed his technique is able to penetrate more deeply into the painting. He said: "We can now analyse exactly what is happening inside the layers of the paint and we can peel like an onion all the layers of the painting. We can reconstruct all the chronology of the creation of the painting."
　　在 超過半個(gè)世紀(jì)以來，蒙娜麗莎受到了各種科學(xué)檢測(cè)。很多最新的科技，包括紅外線檢測(cè)和多光譜掃描。但是，科特先生稱，他的技術(shù)能更深層地洞察畫作。他說： “我們現(xiàn)在能夠精確地分析畫作的各個(gè)圖層內(nèi)發(fā)生了什么，我們能像剝洋蔥一樣剝開畫作的各個(gè)圖層。我們重現(xiàn)畫作創(chuàng)作的整個(gè)時(shí)段。”
　　’Shatter many myths’
　　“打破謎團(tuán)”
　　Leonardo is believed to have worked on the painting between 1503 and 1517 while working in Florence and later in France. There has long been debate about the Mona Lisa’s identity. But for centuries, it has been widely believed that she is Lisa Gherardini, the wife of a Florentine silk merchant.
　　萊昂納多于1503年到1517年間，在佛羅倫薩工作之后轉(zhuǎn)到法國工作，人們認(rèn)為，他與此期間創(chuàng)作了蒙娜麗莎。蒙娜麗莎的身份問題引起了長久地討論。但是，幾個(gè)世紀(jì)以來，大多人相信，她就是麗莎蓋拉爾迪尼，一個(gè)佛羅倫薩絲綢商人的妻子。
　　But Mr Cotte has claimed his discoveries challenge that theory. He believes the image he has reconstructed underneath the surface of the painting is Leonardo’s original Lisa, and that the portrait named Mona Lisa for more than 500 years is, in fact, a different woman.
　　但是，科特先生稱，他的發(fā)現(xiàn)挑戰(zhàn)了這一理論。他相信，他在畫作表面之下重建的形象是萊昂納多的最初的麗莎，而五百多年來被稱作蒙娜麗莎的肖像其實(shí)是另一個(gè)女人。
　　He said: "The results shatter many myths and alter our vision of Leonardo’s masterpiece forever. When I finished the reconstruction of Lisa Gherardini, she is totally different to Mona Lisa today. This is not the same woman." He also claims to have found two more images under the surface of the painting - a shadowy outline of a portrait with a larger head and nose, bigger hands but smaller lips.
　　他 說到：“這一結(jié)果打破了很多謎團(tuán)，并從此改變了我們對(duì)萊昂納多的杰作的看法。當(dāng)我完成了對(duì)麗莎蓋拉爾迪尼的重建后，她與現(xiàn)在的蒙娜麗莎完全不同了，這不是 同一個(gè)女人了?！彼€稱，在畫作表面下又發(fā)現(xiàn)了更外兩個(gè)形象，一個(gè)肖像的朦朧的輪廓，頭、鼻子、雙手都更大一些，但是仍微笑著。 來源:BBC英語新聞

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